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Its as simple as Google Photos but with unlimited creative opportunity. Upload any number of photos, select a grid or lay them out freehand, and then add cool photo effects, filters, and frames with just a few clicks. If you have too many things open at once, prepare for the program to run slowly.įor a fully comprehensive collage making tool though, Picture Collage Maker is a fantastic choice. Its equally easy to make your own photo collage with Create. The only real complaint some users might have is that Picture Collage Maker can be a bit of a drag on resources. Kapwing’s photo collage maker makes it easy for you to drag-and-drop multiple photos, videos, and audio clips all in one place. Picture Collage Maker comes complete with a wizard that'll take you through the creation process step-by-step. You can also very easily print out or email your final products to family and friends. Picture Collage Maker comes ready with lots of different masks, picture frames, font types and clipart you can use to further decorate your creations, which is a nice feature. On top of traditional collages, Picture Collage Maker also lets you make scrapbooks, posters, event invitations, and even calendars and greeting cards. You can even choose different paper sizes and whether you want it to be horizontally or vertically oriented. Online Photo Editor and Collage Maker is used to create online posters and designs for any purpose like wedding card, logo design, creative. Picture Collage Maker includes professionally drawn templates with varying layouts for placing photos, as well as a multitude of different backgrounds for your collage. There are hundreds of collage templates to choose from, ensuring you'll likely find the perfect one for any occasion. Picture Collage Maker will let you do this quickly and easily. On the PPP application, Insync Exotics Inc reported intending to use the proceeds of their PPP loan for the following expenses:īusiness Information - Insync Exotics Inc in Wylie, TXįor Insync Exotics, Inc, the calculation used to estimate payroll costs is shown below:īased on the standard PPP eligibility formula, it may be possible to estimate the payroll expenses represented by a company on their PPP application (see details above). Wylie TX 75098 (972) 442-6888 (972) 442-4137 Visit Website Hours: Saturday & Sunday: 11am. In order to qualify for the PPP loan amount received, Insync Exotics Inc's 2019 payroll expenses are estimated to be at least $403,997.īased on their reported 13 jobs retained, this equals an estimated average yearly compensation of $31,077 per employee 1 Reported PPP Proceed Usage: Our goal is to provide these majestic creatures with a safe. Please Note: Information on estimated payroll and compensation based on PPP rules is provided for informational purposes only.īased on the standard PPP eligibility formula, it may be possible to estimate the payroll expenses represented by a company on their PPP application (see details above). In-Sync Exotics is a 501c3 non-profit dedicated to the rescue of abused and neglected exotic cats. #Insync exotics wylie tx full#Additionally, because this standard calculation is based on the maximum loan eligibility, it will under-estimate payroll costs if the business did not apply for the full amount of loan to which it was entitled based on its 2019 payroll expenses and other variables described above.Because salaries for PPP eligibility purposes are capped at $100k, businesses with highly-compensated employees will yield an under-estimation of actual payroll costs.This estimation assumes that the PPP recipient applied for the full amount for which they were eligible, and no other variables affected the loan amount received. Situations may exist in which it may not be accurate to estimate a PPP recipient's payroll expenses based on the amount of PPP loan received.
As an added attraction I demonstrated a snowman craft (the pattern appears at the back of the book) at one reading and at others I made decorations like the ones Hattie, Junior and their neighbours make and invited the audience to help “turn a plain old plant into one splendid tree.” These ideas were the brainstorm of Kids Can’s publicist, Melissa Nowakowski, and the children were only to happy to help. I was very fortunate in that my publisher scheduled a number of bookstore reading events for me. In the case of a Christmas book, you basically have from mid-November until Christmas. Holiday seasons come and go quickly so there is a much shorter time frame than usual in which to publicize the book. What, if any, special challenges are part of writing and publishing a holiday book? Though the mother and father appear as minor characters, my goal was to show it was their love and caring that made Hattie and Junior believe in the magic of Christmas and spread that belief to those around them. I wanted Junior, the youngest, to be the leader and his sister, Hattie, to create conflict with her initial reservations about the plant decorating. Psychologically, and this holds true for any story you write, the author needs to get into the mind and psyche of the characters to decide how they will act and react in various situations. I have to say though, that if I did a lot of research for the story, just imagine how much more the illustrator, Dianne Eastman, did for her exceptional photo-collage artwork! I even researched the children’s names to be sure that the ones I had chosen were popular in the 1940s. At a recent reading, when I came to the part about Hattie saving the brown paper from a package, an elderly gentleman in the audience called out, “I remember doing that!”. Victory bonds, war savings stamps, Salvage Drives, rationing and the necessity of saving anything that was reusable are all referred to in the story. I did a lot of research on World War II, especially about life on the home front. “One Splendid Tree” was already on the lengthy side for a picture book, so the challenge was not only to add these to the story but to do it in an economy of words. When Kids Can Press first read the manuscript, they suggested that I add more wartime atmosphere and references. What were the challenges (literary, research, psychological, logistical) in bringing it to life? My publisher, Kids Can Press, is fastidious about the quality of their books which is one reason why I am delighted to have them as my publisher. Believe it or not, that is my favorite part of the publication process. Then we got down to the nitty gritty of switching a word here and changing a phrase there to create the best story we possibly could. Together we edited, revised and polished. Once my publisher accepted it, I went to work with a wonderful and talented editor, Debbie Rogosin. If memory serves me correctly, I began writing “One Splendid Tree” about five years before it appeared in print. I do this so that, if I run into difficulty with one story, I can switch to another and thus avoid the dreaded writer’s block (well, most of the time anyway). That is difficult to say because I tend to work on more than one manuscript at a time. What was the timeline from spark to publication, and what were the major events along the way? This theme crops up over and over again in my books and short stories. I used some of these in the story, such as the family not being able to afford a Christmas tree and the children having to wear boots and shoes that don’t fit because that was all they had.Īlso I’m a firm believer in the inventiveness, creativity and perseverance of children, especially in difficult times. The reason – I love Christmas!Īnother inspiration came from the many anecdotes my parents told me about life on the home front during World War II. I like to set writing goals for myself and one of my goals was to have a Christmas book published. What was your inspiration for creating this book?Īctually several things inspired me. #PERU MYPUBLISHER HOW TO#Includes instructions on how to make your own snowman decoration!” If he can only convince Hattie, maybe they can have a tree after all! Marilyn Helmer’s tender story and Dianne Eastman’s richly detailed photocollage art bring this Christmas past to vivid life. But Junior finds an abandoned plant in the hallway, and in his eyes, it holds the promise of Christmas magic. Money is tight, and this year a Christmas tree is a luxury the family cannot afford. From the catalog copy: “With Daddy away fighting in the Second World War, Hattie, Junior and Momma have had to move to the city so Momma can take a factory job. One Splendid Tree by Marilyn Helmer, illustrated by Dianne Eastman (Kids Can Press, 2005). Listen below to a hip hop legend, Biggie Smalls song ‘Hypnotize’.Hah, sicka than your average Poppa Twist cabbage off instinct niggaz don't think shit stink pink gators, my Detroit players Timbs for my hooligans in Brooklyn Dead right, if they head right, Biggie there every night Poppa been smooth since days of Underroos Never lose, never choose to, bruise crews who do something to us, talk go through us Girls walk to us, wanna do us, screw us Who us? Yeah, Poppa and Puff (ehehehe) Close like Starsky and Hutch, stick the clutch Dare I squeeze three at your cherry M-3 (Take that, take that, take that, haha!) Bang every MC easily, busily Recently niggaz frontin ain't sayin nuttin (nope) So I just speak my piece, (c'mon) keep my piece Cubans with the Jesus piece (thank you God), with my peeps Packin, askin who want it, you got it nigga flaunt it That Brooklyn bullshit, we on itīiggie Biggie Biggie can't you see Sometimes your words just hypnotize me And I just love your flashy ways Guess that's why they broke, and you're so paid (uh)īiggie Biggie Biggie (uh-huh) can't you see (uh) Sometimes your words just hypnotize me (hip to) And I just love your flashy ways (uh-huh) Guess that's why they broke, and you're so paid (hah) Rather than be insulted, those within the procession began dancing and rejoicing to the track, turning it into a celebration of Biggie’s imperious life. Hypnotize biggie smalls full#As the funeral procession for the hip hop legend made its way through the streets of his native Brooklyn, a nightclub blasted ‘Hypnotize’ through its speakers at full volume. The song will go down as a crucial part of Biggie’s legacy for another reason too. I still have that cassette demo, and it’s definitely a classic piece of rap history.” The nephew of Alpert also revealed that Biggie wrote the raps for all of the parts of the song, including the female leads: “When I first met Biggie before they recorded ‘Hypnotize’, he played me a demo version with him doing the girl’s part. Biggie’s version was released and charted its first week at number two and went to number one the second week.” The original ‘Rise’ record climbed the chart all summer and became number one around the end of October. I was sent a cassette from Puffy, and when I cranked it up, I not only immediately loved it, but my gut thought that this could be a number one record once again. When he first played the loop for Biggie, Biggie smiled and hugged him.”īadazz later confirmed that it wasn’t only Biggie who wanted to use the beat: “Over the years I was approached by Ice Cube, Easy E, Vanilla Ice, and maybe another 4-5 artists to use the song and I never said yes until I heard a rough version of Biggie’s recording. He had always remembered that summer and that song. He told me that in the summer of 1979, when he was, I think ten years old, the song was a huge hit everywhere in New York and ‘Rise’ along with Chic’s ‘Good Times’ were ‘The Songs’ that all the kids were dancing and roller skating to that summer. Its tireless beat and enviable flow encapsulate everything about his larger than life character in one song.ĭiddy sampled the music from Herb Alpert’s 1979 hit ‘Rise’, which was written by Andy Armer and Herb’s nephew, Randy Badazz Alpert, later recalled: “I asked Puffy, in 1996 when he first called me concerning using ‘Rise’ for ‘Hypnotize,’ why he chose the ‘Rise’ groove. The track is a magical effort that is unarguably one of the classic Biggie Smalls songs. ‘Hypnotize’ became just the fifth track to reach number one in the charts posthumously following the tragic murder of Biggie, aka Christopher Wallace. I revisit Indian Courts and the Future, the 1978 report drafted by Dean Getches, and the historic context of the report. It begins with Dean Getches’ framework for analyzing Indian courts. This paper comes out of the University of Colorado Law Review's symposium issue honoring the late Dean David H. In these circumstances, the current, one-size-fits-all Fifth Amendment analysis is ill-suited to protect the individual liberty interests at stake. In such instances, the bankruptcy court is enforcing state substantive rights not a federally-created right and thus the interests of the sovereign are diminished as are its coercive powers. Specifically, when a bankruptcy court resolves a dispute that arises under state law, the federal interest is arguably at its lowest ebb and the defendant's liberty interests protected by the due process clause are brought to the forefront. This Article contends that in the bankruptcy context, the nature of the claim being litigated alters the balance under the Fifth Amendment analysis and acts as a limitation on Congress' otherwise broad power to authorize bankruptcy courts to exercise personal jurisdiction based on nationwide service of process. Courts must develop an analytical framework that recognizes and responds to the varying strengths of the federal interest. In creating the current Fifth Amendment analysis, federal courts have fallen woefully short in defining the scope of congressional authority. For the entire sample, regardless of acculturation, we found that family history of boarding school experiences, having parents and grandparents who lived in boarding schools, predicted interpersonal childhood trauma but not noninterpersonal childhood trauma.Ĭongress' power to legislate is not unlimited and federal courts have an obligation to monitor Congress' exercise of its authority. The more participants in the current study were acculturated, or identified with White culture, the less they were aware of historical losses. In a diverse sample (N = 59) of American Indians, we find support for the idea that institutional betrayal may be at the heart of historical loss awareness. The current study applies institutional betrayal trauma theory as a means for understanding awareness of historical losses and examines the intergenerational transmission of trauma through family systems. The confusion in nomenclature may mask different underlying mechanisms for understanding trauma. The terms historical trauma and intergenerational transmission of trauma have been used interchangeably in the literature, yet may be theoretically distinct. |
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